Issue No. 240, January/February
Having forsaken the figurines that made him famous, Barnaby Barford is working on a series of mirrors. But, says Grant Gibson, he hasn’t lost his satirical edge
The critic and author Glenn Adamson explains why he has decided to bid craft a fond farewell
Artist Kate MccGwire creates feathered sculptures that are both spectacular and ever so slightly unsettling, explains Teleri Lloyd-Jones
Following Jacqueline Poncelet’s Wrapper unveiled on London’s Edgware Road, Corinne Julius reports on artists upscaling their work
Front
Features
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Original Sin
Barnaby Barford’s latest project based on the seven deadly sins sees him take a startling new direction, says Grant Gibson.
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A bird in the hand
Kate MccGwire creates her sculptures from feathers, often collected from racing pigeons. The results, says Teleri Lloyd-Jones, are spectacular and ever so slightly unsettling
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Reviews
Read moreMichael Brennand-Wood
Released: 9 January 2013
Michael Brennand-Wood: Forever Changes
Ruthin Craft Centre, Denbighshire
22 September – 25 November 2012 then touring
Reviewed by Grant Gibson
Read moreDreamWork: Christie Brown
Released: 9 January 2013
Freud Museum, London NW3
23 November 2012 – 10 February 2013
Reviewed by Shane Enright
Back
Why ice gets a bad rap; Best of British: John Jones; Jim Partridge and Liz Walmsley on the things that inspire them; Tanya Harrod thinks aloud on Fixperts
