Hothouse supports makers at the start of their career
Hothouse is the Crafts Council’s national programme of creative and business support for makers at the start of their career.
It is a part-time programme run over the course of six months that gives makers the tools they need to build a successful and sustainable craft business. Monthly full-day training sessions and a residential course will give you the skills to:
- Create a business plan
- Set business goals
- Know how to do your accounts and price your work.
- Write and talk about your work confidently.
- Market your practice well.
Over 200 makers have gone through the Hothouse programme since 2010. Past participants have gone on to:
- Create installations for Selfridges and Burberry Makers House.
- Exhibit at Design Miami Basel, Milan Design Week and London Fashion Week.
- Win awards and commissions at the Eden Project, Aspex Plymouth and Nottingham Castle.
- Undertake artistic residencies at the British Library amongst others.
The cost of Hothouse is supported by the Crafts Council and is £240 to the makers selected on to the programme (the value is £5,000 per maker).
**Applications for Hothouse 2020 have now closed. Hothouse 2021 applications will open in summer 2020**
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“I have loved Hothouse, I am so sad that it is over. It has not only been my rock over the last year, it has also completely shaken up my world.” – Sophie Southgate, Hothouse 2017 participant.
The story so far
Hothouse was launched in 2011 and since then over 200 makers have completed the programme.
Evaluation of the programme year on year shows that it has a transformative effect on participants and evaluation of Hothouse 4, who completed the programme in June 2014, revealed;
- 100% said Hothouse enabled them to think differently about their career direction
- 92% understood the sector better
- 87% could identify new skills/abilities learnt during the programme
- 91% could identify next developmental steps
- 96% had benefitted positively from being part of a peer group
- vision for practice/business increased from 39% to 96% good or excellent
- knowledge of business planning increased from 7% to 78% good or excellent
- business judgement when assessing opportunities increased from 11% to 74% good or excellent
- creative analysis skills increased from 29% to 78% good or excellent
- ability to be entrepreneurial increased from 25% to 78%
In 2010 there were 20 makers selected for Hothouse 1, the pilot year, to complete the programme in 2011:
Claire Baker, Holly Berry, Katherine Carey, Stella Harding, Leon Lewis, Jo Lovelock, Rosanna Martin, Heidi Harrington, Gillian Royal, Helene Uffren, Claire Moynihan, Clare O’Driscoll, Emma Yeo, Lucy Harvey, Rose Sharp Jones, Ros Millar and Sarah Elwick.
The programme wsa delivered across two cohorts (Farnham and London) and with six partners including promotional partner Arts Thread:
The Business & Community School at the University of the Creative Arts Farnham (UCA), Farnham Maltings, Craft Study Centre, New Ashgate Gallery (Farnham cohort), the Innovation Centre at Central St Martins University of the Arts London and Palmer Hamilton Partnership (London cohort).
In 2011 there were 28 makers selected for Hothouse 2 to complete the programme in 2012:
Amy Bear, Aimee Betts, Eleanor Bolton, Emma Bradbury, Kevin Brook, Hannah Felicity Dennis, Jane Dzisiewski, Amelia Fever, Lucy Jane Foakes, Helen Foot, Jasmin Giles, Anna Glasbrook, Mahtab Hanna, Zehava Hashai-Spellman, Tortie Hoare, Anna Collette Hunt, Zoe Lloyd, Hanna Nielsen, Elizabeth Peers, Carly Petitt-Taylor, Helen Smith, Rhian Solomon, Thorody, Ellen Thomas, Victoria Walker, Sarah Warsop and Janice Zethraeus.
The programme was delivered across three cohorts (north, south west and Goldsmith's/London) and with seven partners including promotional partner Arts Thread:
Cleveland College of Art & Design, Design Initiative, Designed & Made (all north cohort), Arts University College Bournemouth, Bath Spa University, University College Falmouth (all south west cohort) and The Goldsmiths' Institute (Goldsmiths'/London cohort).
In 2012 there were 40 makers selected for Hothouse 3 to complete the programme in 2013:
Greig Alderman, Thomas Appleton, Grant Aston, Catherine Aitken, Jane Cairns, Emma Calvert, Leigh Cameron, Catherine Carr, Victoria Carter, Sanni Falkenberg, Miche Follano, Hayley Gammon, Laura Grain, Jennifer Gray, Grace Hamilton, Rosie Hofman, Fay Jenkinson, Agnes Jones, Martin Keane, Anne Laycock, Leanne Lucas, Annabelle Lucilla, Drew Markou, Neil Marlow, Fay McCaul, Heather McDermott, Naomi McIntosh, Alice McLean, Kim Norton, Claire-Anne O’Brien, Sarah Pasley, Kirsty Pearson, Naomi Robinson, Suzanne Rogers, Jill Shaddock, Sophie Stamp, Paul Stopler, Keith Varney, Annabel Williams and Umut Yamac.
The programme was delivered across four cohorts (south west, north, east and London) and with eight partners including promotional partner Arts Thread:
The Devon Guild of Craftsmen and Plymouth University (south west), the Bluecoat Display Centre, Liverpool Hope University and Yorkshire Artspace (north), Smiths Row and the University of Hertfordshire (east) and benchpeg (London).
In 2013 there were 38 makers selected for Hothouse 4 to complete the programme in 2014:
Jenny Ayrton, Elaine Bolt, Anna Brimley, Charlotte Brown, Sarah Brown*, Sue Brown, Marie Canning, Jessica Coleman, Adam Collins, Brittany Delany, Katharina Eisenkoeck, Louisa Finch, Anna Gravelle, Sophie Alice Hirsch, John Jacques, Elaine Jenkins, Julia Jowett, Silvia Kamodyova, Katharina Klug, Beatrice Larkin, Katy Luxton, Hilary Mayo, Alex McCarthy, Rosie Moss, Charlotte Nash, Imogen Noble, Paula Ortega, Angie Parker, Izzy Parker, Bryony Penman, Jelka Quintelier, Natalie Ratcliffe, Adam Slade, Stephanie Tudor, Amy Whittingham, Heather Woof, Theo Wright and Cristina Zani.
*Sarah Brown’s place has been supported by the Artisa Foundation.
The programme was delivered across four cohorts (south west, north, south east and midlands) and with ten partners including promotional partner Arts Thread:
Plymouth College of Art and Creative Skills (south west), Creative Lancashire and University of Central Lancashire (north), Craft Study Centre, Making Space, New Ashgate Gallery (south east), Harley Gallery, Nottinghamshire County Council, and Nottingham Trent University (midlands).
In 2014 there were 40 makers selected for Hothouse 5 to complete the programme in 2015:
Beatrix Baker, Juliette Bigley, Joanna Bury, Jane Crisp, Charlotte Anne Duckworth, Emma Finch, Alma SG Geller, Joanna Gordon, Richard Hardy, Ruth Hollywood, B.Lynne Hutchinson, Leah Jensen, Emily Kidson, Stephanie Lawton, Katherine Lees, Emma Leslie, Beth Lewis-Williams, Catherine MacGruer, Catriona MacKenzie, Rhona McCallum, Rosalie McMillan, Kelly Munro, Annemarie O'Sullivan, Harry Owen, Rita Parniczky, Sian Patterson, Hollie Paxton, Tom Philipson, Adele Retter, Nadia Ricketts, Bethany Robinson, Heather Shields, Jasmine Simpson, Jessica Thorn, Tess Wakeling, Katie Wallis, Libby Ward, Judith Watson, Rhiannon Wilkey and Simon Wilks.
The programme was delivered across the UK and included 13 partners and promotional partner Arts Thread:
Applied Arts Scotland, British Ceramic Tile, Craft Scotland, Craft Study Centre, Creative Skills Cornwall, Devon Guild of Craftsmen, Emergents, Fife Contemporary Art and Craft, Manchester Craft and Design Centre, Manchester School of Art (Manchester Metropolitan University), New Ashgate Gallery, Plymouth College of Art, and Smiths Row. Studio LW’s (Emma Leslie and Rhiannon Wilkey) place has been supported by the Artisa Foundation
As well as being a partner - Crafts Scotland funded a group of six makers to take part in Hothouse 2015.
In 2015 there were 41 maker businesses selected for Hothouse 6 to complete the programme in 2016:
Abby Frances Jewellery, Adam Henderson, Aimee Bollu, Amanda Denison, Ami Pepper, Arjan Van Dal, Bola Lyon, Charles Byron & Maria del Mar Gomez, Charles Dedman, Chris Townsend, Ellie Birkhead, Elmina Fors, Hannah Tounsend, Hayley Beckley, Heather Scott, Jacky Puzey, Jen Orme, Bonner Leather Studio, Jode Pankhurst, Kate Whitehead, Kate Colin, Kira Meyer, Taylored Jewellery, Lydia Cotterell, Melissa Montague, Morna Darling, Oscar Copping, Ranti Bamgbala, Rebecca Sarah Black, Rhian Malin, Richard Cullen, Sally Burnett, Sam Andrew, Sarah Fennel, Terrarium, Thomas Wittingham, Tina McLeod, Toby Cotterill, Victoria Dawes, and Will Elworthy.
Bilston Craft Gallery, City of Glasgow College, Craft Central, Craft Scotland, Crafts Study Centre, Craftspace, Creative Lancashire, Design Event, Design Factory, Design-Nation, Fife Contemporary Art and Craft, London Metropolitan University (CASS Faculty of Art Architecture & Design), Manchester Craft and Design Centre, Manchester School of Art, New Ashgate Gallery, Nottingham County Council, Nottingham Trent University, Plymouth College of Art, The Bluecoat Display Centre, The Jewellery School at Birmingham City University, The National Centre for Craft and Design, University of Brighton, University of Central Lancashire, University of Dundee, and Yorkshire Artspace.
As well as being a partner - Craft Scotland has funded a group of six makers based in Scotland to take part in Hothouse 2016.
In 2017 there are 35 Maker Businesses:
Amanda Priest, Anita Carnell, Anya Kovalieva (Oll), Charlie Birtles, Charlotte Wilkinson, Chloe Smith (Casabi Designs), Christina Hesford, Elizabeth Jane Campbell, Emma Johnson, Eva Fernandez, Forest + Found, Francesca Rossi, Harry Morgan, Juan Junca, Juli Bolaños-Durman, Julia Rushworth, Karolina Baines, Kate Haywood, Lauren Bell-Brown, Line Nilsen, Majeda Clarke, Mariam Syed, Matthew Duckworth, May Wild Studio, Mella Shaw, Miriam Griffiths, Rachel Butlin, Rosie Deegan, Ruth Leslie, Sarah Hitchens, Sophie Southgate, Tim Evershed, Tim Summers, Tropezar, and Verity Howard.
Our Partners are:
City of Glasgow College, Craft Central, Craft Scotland, Crafts Study Centre, Craftspace, Creative Lancashire, Design Event, Design Factory, Design-Nation, Fife Contemporary Art & Craft, London Metropolitan University (CASS Faculty of Art Architecture & Design), Manchester Craft and Design Centre, Manchester School of Art, Middlesex University, New Ashgate Gallery, Nottingham County Council, Nottingham Trent University, Plymouth College of Art, The Bluecoat Display Centre, The Jewellery School at Birmingham City University, The National Centre for Craft and Design, University of Brighton, University of Central Lancashire, University of Dundee, and Yorkshire Artspace. Promotional partners include Arts Thread, and Etsy.
As well as being a partner - Craft Scotland has funded a group of seven makers based in Scotland to take part in Hothouse 2017.
In 2019 there were 26 Maker Businesses:
Andy Webbon (King & Webbon), Angelina Mouyiaris, Anthony Dain, Bonnie Kirkwood, Caroline Draper, Charlotte Kidger, Dalia James, Darren Appiagyei (In the Grain), Darren Ball, David Winter & Natasha Kurth (Winter & Kurth), Eusebio Sanchez, Iris De La Torre, James Bowyer, Jan Lennon, Jon Warshawsky James Ross-Harris and Richard Warner (Blenheim Forge), Jenny Chan, Kat Evans, Laura Mathews, Louise Bell, Lucy MacDonald (Arra Textiles), Mitch Pilkington, Momoka Gomi, Rayvenn Shaleigha D'Clarke, Ruby Creagh, Thamasin Marsh.
In 2020 there are 26 Maker Businesses:
Alison Brown, Antigone Lentzos, Carolyn Tripp, Chi-Ning Li (Ning Art Jewellery), Chloe Bell, Dawn Bache, Donald Baugh, Emma Fallon (KULU Textiles), Faye Hall, Francisca Onumah, Georgina Orme (TipToe Jewellery), Jack Durling, Jane Sedgwick, Janine Partington, Katie Schwab, Laura-Jane Atkinson, Leszek Sikon, Linda Southwell, Liz Ramsay, Lizzie Kimbley, Nikole Tursi, Pratima Kramer, Sam Lucas, Sand Buchanan, Sarah Emily Porter and James Trundle (Porter & Trundle), Tom Galt (Galt Designs).
Partner with us
Hothouse is only made possible through partnership. We have worked with 49 organisations to deliver Hothouse over the last five years and we are now looking for Hothouse partners for future years.
If you want to know more about being a partner contact email@example.com
Professor. Simon Olding, Director, Craft Study Centre, Hothouse 1 and 4 partner:
The arrival of a Hothouse cohort is a moment of energy, anticipation and awareness. So much is in the balance: not only the advance of careers and practice, but also the synergies of the partners, which have to be refreshed and challenged to fulfill the (rightly) high demands of this important national programme. The crafts in the UK would be poorer without it.