I use making to ask critical questions, generating new understanding and adding meaning through craft, asking what we make, how we make it, and why that matters.
I examine ideas like pace, repetition, playfulness and repair through my studio practice. Using found objects and materials like fired ceramics, wood, and textiles, I work interdisciplinarily to make provocative collectable artefacts.
I also do practice-based research, curate exhibitions, give workshops and talks, and write.