Crafts CouncilDirectoryMichèle OberdieckWatercolour SeriesAboutColour has always been a major source for me. I work quite a bit with watercolour paint as it has an immediacy which translates well with blown glass. There’s an infinite number of gradations and tones when looking at a water source or the sky, or the way colours bleed and fade when plant life starts to decay. The forms interact with colour by the way light reflects across the shape and illuminates it. Light with colour creates another dimension.Michèle OberdieckLondon, EnglandDelicate Pink Trio, Sylvain DeleuBlown glass vesselsDelicate Pink Sepia Cloud, Sylvain Deleublown glassSage Maroon Bottle with Moss Green Graal Vessel, Sylvain Deleublown glassPure Summer, Sylvain DeleuTrio of blown glass vesselsSage Maroon Bottle and Sage Bottle, Sylvain Deleublown glass vesselWatercolour SeriesAboutColour has always been a major source for me. I work quite a bit with watercolour paint as it has an immediacy which translates well with blown glass. There’s an infinite number of gradations and tones when looking at a water source or the sky, or the way colours bleed and fade when plant life starts to decay. The forms interact with colour by the way light reflects across the shape and illuminates it. Light with colour creates another dimension.Michèle OberdieckLondon, EnglandDelicate Pink Trio, Sylvain DeleuBlown glass vesselsPure Summer, Sylvain DeleuTrio of blown glass vesselsDelicate Pink Sepia Cloud, Sylvain Deleublown glassSage Maroon Bottle and Sage Bottle, Sylvain Deleublown glass vesselSage Maroon Bottle with Moss Green Graal Vessel, Sylvain Deleublown glassMore from Michèle OberdieckProjectFrom the Inside OutProjectSculptural formsProjectAir Apparent SeriesProject'Fantasy Plants' Solo Exhibition at Vessel Gallery 2023 ProjectMorpheus seriesProjectFantasy Plant ProjectProjectOstfriesia SeriesProjectGraal SeriesProjectForest Umber Forms