Concerned about the changing nature of class, consumerism and social equity, Sally works predominantly with the ‘cosiness’ and ‘softness’ of textiles to draw people into uncomfortable realities and challenging questions. Central to her current practice, she uses code, statistics or graffiti to explore how information and voices can be suppressed or amplified.
Sally also knits garments for major feature films including 1917, Dunkirk, War Horse and The Boat That Rocked.