Driven by curiosity around the changing nature of class, Sally works with tufted and knitted textiles to create artworks that question our relationship to the medium as well as how we perceive our place in the world.
She also explores how codes become inclusive or exclusive depending on perception, belonging and how we use code in our everyday conversations.
Sally knits garments for major feature films including 1917, Dunkirk, War Horse and The Boat That Rocked.