Before moving into clay, Suna worked in dance performance and film; specialising in improvisation and rooted in spontaneous composition - the work continuously unfolded into the present moment. Working in clay has been a natural evolution for her - the tactility and immediacy of the material resonating with her background in dance, whilst the meditative aspects of the craft support her commitment to Zen practice. The natural world and her relationship to it remain her constant focus.
- Focus:
- In collaboration with clay and the natural world
- Commissions:
- Available for commissions
- Stockists:
I opt for low firings and usually just fire once instead of the normal practice of twice. I'm careful to recycle all materials and only take a piece of art through to completion if I feel sure it is worthy of the resources that will be utilised.