Crafts CouncilDirectoryMadeline AdamsCraftswoman working at the intersection of material, ritual, and memory.Sheffield, EnglandCeramicsFurniture makingWoodworkingMixed mediaWebsiteE-mailAboutInfoSustainabilityMy practice intends to combine woodturning and ceramics with research-led approaches rooted in history, conservation, and material culture. Each object explores themes of ritual, function, and afterlife. Drawing from historical craft, archival study, and embodied making. I intend to produce sculptural tools and vessels that blur the boundaries between artefact and utility.Focus:Woodturning and ceramics rooted in research and traditional processes.Sustainability underpins my work through reuse, repair, and restraint. I use reclaimed materials and traditional, low-impact methods to honour the provenance of each object. Informed by conservation ethics and historical practices, my approach favours longevity, contextual awareness, and a slow, reflective rhythm of making.AboutMy practice intends to combine woodturning and ceramics with research-led approaches rooted in history, conservation, and material culture. Each object explores themes of ritual, function, and afterlife. Drawing from historical craft, archival study, and embodied making. I intend to produce sculptural tools and vessels that blur the boundaries between artefact and utility.InfoFocus:Woodturning and ceramics rooted in research and traditional processes.SustainabilitySustainability underpins my work through reuse, repair, and restraint. I use reclaimed materials and traditional, low-impact methods to honour the provenance of each object. Informed by conservation ethics and historical practices, my approach favours longevity, contextual awareness, and a slow, reflective rhythm of making.WebsiteE-mailProject(penumbra) Project(relic)Project(reliquary) Project(balm)ProjectCarved, and turned brushes in noir.ProjectCompostable Bicycle FrameProjectHand Turned Stool