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Crafts CouncilInsight and advocacyPolicy briefings

August 2022


  • Craft policy
  • Craft research
  • Craft education
  • Craft and wellbeing

August 2022

It’s holiday season, but the pace doesn’t slow! This month we cover:

  • What kind of craft businesses are exporting?
  • Making the case for creative education in place-based creative industries
  • Student participation evidence
  • Our response to the DCMS committee inquiry into the impact of emerging technologies on the creative industries
  • Arts participation numbers

And some new findings on pay in the arts, planning creative health and wellbeing, Scotland’s distinctive cultural sector, the design economy and the art market recession.


Balanced - pair, Maria Wojdat

What kind of craft businesses are exporting?

The Policy and Evidence Centre (PEC) explores what distinguishes creative industry exporters. The paper identifies the characteristics that distinguish exporters from non-exporters among Creative Industries Organisations (CIOs) and those that are high-intensity exporters.

The study shows that even very small CIOs export, and exporting need not involve the development of ‘new to the market innovations’. One-person organisations were the least likely to export but even among these 30% were exporters, with 10% found to be high intensity exporters. Beyond the smallest organisations, the propensity to export does not appear to increase progressively with size - the CIOs with the highest propensity to export were those employing 6-10 people. While creative Industry exporters tend to invest in R&D and/or design, the amounts invested are usually modest.

Craft micro-businesses will be interested that -

  • Participation in exporting varies widely by the Creative Industry sub-sector. Three-quarters of publishers reported exporting, including 30% as high-intensity exporters. Slightly more than half of both Crafts and ‘Advertising and marketing’ organisations also reported export sales (see table below)
  • CIOs selling only to consumers (B2C) were the least likely to export
  • Very young CIOs can and do export, and it should not be assumed that exporting is only for well-established CIOs
  • Modest investments in R&D and design can aid exporting, but there is no need to develop ‘cutting edge’ innovations to engage in exporting.

Here you can see the proportions of exports by sub-sector, including for craft –


Exporter by Creative Industry Sub- Sector Chart

Making the case for creative education in place-based creative industries

A useful study of place-based creative industries development from the Creative Industries Council (CIC) makes the case for creative education and skills and that arts and culture drive creative industries innovation and growth. The report delves into the distribution of Local Enterprise Partnerships’ (LEPs) activity alongside funds including Levelling Up, the Towns Fund, Community Renewal Funds, Cultural Compacts, Cultural Development Fund and the Shared Prosperity Fund. It finds that Levelling Up bids are in many cases from places without a strong existing Creative Industries sector (e.g. small towns, industrial areas in the Midlands and North, coastal towns etc.).

The CIC report recommends a renaissance in creative education and skills, as local authorities often lacking the levers required to make significant impact. 'The pandemic brutally exposed the structural fragility of the cultural sector, in particular smaller organisations, micro enterprises and freelancers. But the pandemic also heightened awareness of the importance of culture to wellbeing, mental and physical health, identity and place.'

Student participation

More than 271,000 students applied to design, creative and performing arts degrees in the academic year 2021-22. The number of students applying for design, creative and performing arts degrees increased by 6% last year. (You can refine the data by subject on the Universities and Colleges Admissions Service (UCAS) site). The figure compares to a 3% rise in total applications. Design, creative and performing arts degrees saw the joint-third largest percentage increase across all subject areas, with only applications to media, journalism and communication degrees (11%) and computing degrees (16%) increasing more.

Protect Student Choice, the campaign to prevent the Department for Education (DfE) defunding a raft of Level 3 qualifications, successfully petitioned for a debate on the issue with some strong speeches from MPs. You can view the Hansard transcript here or watch on Parliament TV here. The department has asserted that only a “small proportion” of the Level 3 Applied General Qualifications offer will be removed, but the campaign is trying to make sure that this small proportion does not include the most popular qualifications.

Participation in arts and culture

Headline findings from the Department for Digital, Culture, Media and Sport’s (DCMS) Participation Survey show that physical engagement in culture was higher than digital engagement. Total engagement in the arts (88%) was the highest, whilst library engagement was the lowest (20%). Analysis from Arts Professional shows how the deprivation gap for arts participation is widening: the gap between the most deprived and least deprived groups rose from 6.4% percentage points to 7.2% percentage points.

Emerging technologies inquiry

Members of the House of Lords are inquiring into the future of creative industries to assess the potential impact of emerging technologies. Crafts Council has responded, highlighting:

  • The lack of investment in digital innovation in processes and materials and, in particular, the need to expand the definition of R&D for tax credit purposes.
  • The growth in digital sales of goods and how to maintain awareness and skills in utilising the latest platforms to the best advantage.

And also…

Initial findings of Arts Professional’s ArtsPay 2022 survey show that earnings growth for full and part-time workers are failing to keep pace with inflation, but freelancers buck this trend.

Participants may derive greater benefits from arts programmes that offer a range of creative activities, according to the Identifying the Art of Wellbeing report which investigated the design, delivery and impacts of a remote creative programme offered by Entelechy Arts during the pandemic.

Arts Council England (ACE) has launched their Creative Health & Wellbeing plan which describes how they will work within health and social care, and promote collaboration between organisations and practitioners in the creative and health sectors.

A British Council study into What Makes Scotland’s Cultural Sector Distinctive finds that it is dynamic and contemporary yet rooted in tradition and communities, born from egalitarian ideals, diverse, with high levels of connectivity and collaboration and sharing a distinct and positively esteemed spirit of Scotland.

Design Council’s The Design Economy Edition: The People, Places and Economic Value Report show that in 2019, the design economy contributed £97.4bn in GVA, 73% more than in 2010. This represents two thirds of the financial sector’s contribution.

The Art Newspaper reflects on what an impending recession could mean for the art market and whether sellers will wait for the return of better times.


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